The module responds to the global climate emergency by exploring how fictional writing, and some visual fiction, responds and has responded to climate change. We will explore and analyze historical and contemporary fiction (e.g., prose, poetry, some film and other visual imagery) beginning with an example from ancient classical literature, but most of the primary texts will be contemporary.

What inspires a writer? How do you develop your idea? What about plotting, character, structure and setting? Explore the general principles of developing a novel from initial inspiration to final draft. Undertake practical exercises to find out which writing methods best suit you and your ideas.

Editing and redrafting is a crucial part of the writing process, but can often feel like the most difficult phase. This participatory workshop is your opportunity to receive peer-to-peer feedback on your work, in a mutually supportive and friendly environment. You work alongside colleagues to develop creative best practice, and learn how to provide constructive comments on features such as form, voice, and distance.

Want to write your own stage plays? Have an idea of a screenplay? Learn about the range of contemporary plays and possibilities that exist within contemporary drama. Develop your own work, discussing topics like dialogue, construction of plot and structure of scenes within a supportive and creative environment.

Explore the cultural and political capitals of the twentieth and twenty-first century: New York, Paris, Berlin, Vienna, Moscow and London. By considering these urban spaces, you actively explore the categories of modernism and postmodernism, as well as a range of theories of the modern/postmodern city. Emphasis is placed on taking an interdisciplinary approach – discussion of literary works (including plays) will be complemented by viewing/listening to performances, films, and readings. You also consider paintings and photographs, city maps, and even urban planning decisions.

How can a nation reach its potential if it will not think of itself as new, independent and important? Study major writers from the nineteenth century onwards. Explore the development of US nationalism and literature. Examine the development of regionalism. Understand how these processes relate to wider transnational considerations.

How has African-American writing shaped US culture? And how has it often been at the forefront of literary experiment? Examine fiction and poetry that moved the African-American experience from the literary margins to cultural prominence. Understand literary developments, and how these link to broader historical, social and theoretical changes.

Literature has been a site of conflict in the cultural history of the First World War. In The Social Mission of English Criticism: 1848-1932 (1983), Chris Baldick demonstrated that when the relatively new university subject of literature (under the generic term "English") was developing during the First World War, academics proclaimed that it was poetry which would save the nation. In 1919 the newly formed British Drama League aimed to bring about a lasting peace by promoting amateur dramatics nationwide. The idea of poetry as a repository of the authentic experiences of the "trench" poets as lost warriors has contributed to an anglocentric perspective on the war and a reinforcement of poetry as the ultimate aesthetic form. Such a perspective, distilled in Paul Fussell, The Great War and Modern Memory (1975), was challenged by Claire Tylee, The Great War and Women's Consciousness (1990) as well as Jay Winter, Sites of Memory, Sites of Mourning: The Great War in European Cultural History (1995). This module draws on a wide and rich field of literature and literary criticism. It locates the literary engagements with the First World War in the global context of wartime responses and the wider reflection on the impact of war which reverberated through genres and literary and cultural movements. This module includes material on such topics as war, trauma, and bereavement.

This module explores the practice and theory of translating literary texts in a global context. We will discuss issues related to literary form and genre, analysing translations of epic and lyric poetry, prose fiction, and classical and modern drama. We will examine the changes in the cultural status of translation from the ancient times to the present, analysing ways in which translations have contributed to the dissemination and reception of texts. The module considers literary translation as an act of crossing national borders and linguistic and cultural boundaries and an activity that allows diverse literary cultures to come into contact. We will explore literary translation in a global context, discussing historical moments in which literary texts and their translations originate, and focusing on the questions of power and ideology, feminism and gender, and cultural hegemony and postcolonialism. We will also focus on the political and philosophical debates that literary translations have provoked.

This module offers you the opportunity to undertake a short work-based placement at an appropriate employer – these may be the National Trust, Eden Rose Coppice Trust or Essex Wildlife Trust. During this placement you will work on a project on an area or issue defined by the employer as a priority for their organisation. The project will give you the opportunity to utilise and develop the knowledge and skills being secured as part of your course, applying them in a work-based environment and leading to the production of a portfolio of work that will both meet the University's academic requirements for a Masters-level project and support the placement provider in addressing the area/issue they identified at the start of the project.

Beginning with the influential case of the Wilde trial in the final years of the Victorian period, the module traces some of the main strands of queer culture throughout the twentieth and early twenty-first centuries. As well as reading a selection of classic works of gay and lesbian fiction, you will also engage with journalism, letters, essays, memoir, visual art, documentary, film drama, and queer theory. Drawing on these varied sources, we will explore the modern cultural history of gay, lesbian, bisexual, transgender, and gender-diverse people. Topics addressed include: the shifting status of same-sex desire in western culture; homosexuality in the nineteenth century; gay rights in the twentieth century; gay and lesbian fiction and memoir; constructions of gender and sexuality within medical and psychiatric discourse; intersectionality; black lesbian feminism; discourse, knowledge, and power; the Stonewall uprising and its precursors; the AIDS epidemic; the New Queer Cinema; transgender identity and activism; queer theory; LGBTQ Hollywood and world cinema; and contemporary queer culture. The module takes a comparative, interdisciplinary approach in order to show how the topics addressed have been taken up in different mediums and in varying cultural and historical contexts. While much of our focus will be on historical examples, consideration will be given throughout to how the texts on the syllabus illuminate present-day issues and debates.

Wilderness. Activism. Extinction. What is the relationship between literature and the environment, and how has it changed over time? How does imaginative thought connect with scientific understanding? Study leading environmental theorists alongside literary works from the Romantic period to postmodernity, while optional film screenings enhance your study of written texts.

This module encourages you to draw upon personal life experiences in order to experiment with, and enrich, the form and style of your creative writing. It does this through a series of practical workshops and through the close reading of texts. The module is aimed at both writers who wish to write in this way for the first time, or who want to deepen their practice.

The digital economy and the social media landscape are rapidly transforming social structures and ways of living. This module explores key features of the contemporary digital economy and addresses some of the following questions: How can we research digital cultures? What role do consumers play in producing the digital economy? What are the key differences between legacy media and social media? How have mobile phones transformed our lives?

How has colonialism created human rights problems, now and in the past? And what part did mandates for free markets, industrialism and state sovereignty play? Study thinkers like Cesaire, Fanon, Arendt, Agamben and Taussig. Discuss specific international situations like Palestine, forced removal of Aboriginal children and the war on terror.